Professors

• Prof. Beatrice Babin | Film Editing

  

  Prof. Beatrice Babin

  Foto: 2020 / HFF München

   

  Beatrice Babin was born in Munich in 1964. She grew up in Munich and in Italy south of Rome.
  She completed her studies in film studies and philosophy at the LMU in Munich with her master's thesis on Fellini: The figure of the clown as a border crosser between life and death.

  She is a film editor and dramaturgical advisor for feature films and documentaries. 
  Since 2017, she has also worked as a scriptwriter for documentaries.

  She has worked with various directors such as Emily Atef, Volker Koepp, Markus Imhoof, Cordula Kablitz, Elisa Mishto, Wim Wenders, Elke Hauck, Pierre-Alain Meier, Mara Eibl-Eibesfeldt ... 
  Almost all of her films are cinema productions that have also been successful at festivals worldwide.

  Besides her passion for film montage, since 2018 she is performing although as a VJ with live video performances, especially in the genre of "live cinema". 

  Since 2019 she shares the chair Film Editing at the HFF with Michael Palm.

  Further information:

  LuckyPunch

  Internet Movie Database

• Prof. Ingo Fliess | Production & Media Business

  

   Foto: HFF München / Robert Pupeter

  After studying art history in Bamberg and Berlin, Ingo Fliess worked as a screenplay agent, editor and managing director at Verlag der Autoren in Frankfurt am Main. In 2007 he founded his independent production company if... Productions.
  His portfolio includes nationally and internationally successful documentaries such as VOGELPERSPEKTIVEN (director: Jörg Adolph), ELTERNSCHULE (2018, director: Ralf Bücheler & Jörg Adolph), TACKLING LIFE (2018, director: Johannes List) and multiple award-winning feature films, including Ilker Çatak's DAS LEHRERZIMMER (2022, honoured with five German Film Awards including Lola in Gold for Best Feature Film), ES GILT DAS GESPROCHENE WORT (German Film Award in Bronze) and Oliver Haffner's WACKERSDORF (2018). Current productions by if... Productions include NEUE GESCHICHTEN VOM FRANZ (directed by Johannes Schmid, in co-production), IM LAND DER WÖFE (2022, directed by Ralf Bücheler), GAME OVER (directed by Jörg Adolph and Ralf Bücheler), MUTIGE GEHIRNE (directed by Jörg Adolph) and FILMSTUNDE 23 (directed by Edgar Reitz). The film GELBE BRIEFE (director: Ilker Çatak) is currently being financed. Fliess is a member of the German and European Film Academy and on the board of the Producers' Association. In addition to his work as a producer, Fliess has also been a professor of production and media economics at the HFF Munich since 2023.

• Prof. Sinje Gebauer | VFX Producing

  

   

  Foto: 2023 / HFF München, Robert Pupeter 

  Sinje Gebauer has been working in film and television for 20 years and has been involved in over 30 German and international projects as the responsible VFX producer for more than ten years. These included films such as “The Little Witch”, “Balloon” and “Black Panther” before she set up Studio Isar Animation, newly founded by Studio 100, as Head of Studio in 2019. Within 18 months, the first studio-owned feature film project “Maya the Bee 3” was successfully realized here. From 2021 to 2024, she took over the studio management and management of Rise FX South GmbH. Over a period of two years, the permanent workforce increased from 20 to over 50 employees. Accordingly, projects with a higher volume have now been successfully realized, including “Wakanda forever”, “Ms Marvel”, “Generation V” and “Megalopolis”.

  She has been teaching the “VFX Producing” workshop at HFF Munich since 2012. She has been organizing the VFX Stammtisch in Munich since 2014 and is a member of ACCESS:VFX, the Visual Effects Society and the German Film Academy. She graduated from the Filmakademie Baden-Württemberg and the Animationsinstitut in Ludwigsburg.

  Filmography

• Prof. Dr. Phil. Julia von Heinz | Feature Film and Television Feature

  

  Prof. Dr. Julia von Heinz

  Foto: 2020 / HFF München

   

  Julia von Heinz, born in Berlin in 1976, realised her award-winning short films as a writer, director and producer while still a student. Her feature film debut WAS AM ENDE ZÄHLT ZÄHLT screened in the Perspektive Deutsches Kino section of the Berlinale in 2007 and was honoured with the German Film Award in Gold for Best Children's and Youth Film. For her next project, the documentary STANDESGEMÄSS (2008) about aristocratic single women, she received the Bavarian Television Award for Young Talent in 2009. Her feature film ICH BIN DANN MAL WEG (2015), based on the bestseller by Hape Kerkeling, attracted 2 million viewers in German cinemas. Her feature film UND MORGEN DIE GANZEN WELT celebrated its world premiere at the Venice Film Festival in 2020 and received a nomination for the German Film Prize, among many other awards.
This was followed in 2021 by the documentary ISOLATION and the acclaimed series ELDORADO KADEWE. Her international debut TREASURE with Lena Dunham and Stephen Fry premiered at the Berlinale 2024. Julia von Heinz has taught at numerous universities and completed her doctorate at the HU Berlin and the Film University Babelsberg on the topic: ‘The influence of public television on German cinema from 1950-2010.’
Since 2018, she has been a partner in the production company Seven Elephants, which she founded together with directors David Wnendt and Erik Schmitt and producer Fabian Gasmia.

• Prof. Nadia Kailouli | Television Journalism

  

   

  Foto: HFF München / Robert Pupeter 

   

  Nadia Kailouli is the host of the Grimme Prize-nominated podcast einsbiszwei about sexism, sexual assault and sexual violence against children and young people. She also presents the ARD lunchtime magazine programme and is a reporter for the NDR Kulturjournal. In 2020, she was honoured with the Grimme Prize, the Hanns Joachim Friedrichs Prize, the DRK Media Prize and the NDR Sehstern for her report SeaWatch3. In the same year, the Grimme Online Award in the Information category also went to STRG_F by Funk - Nadia Kailouli has been a member of the STRG_F group of young reporters since the beginning of the format, who ‘report subjectively and closely on what moves them; it's about politics, cultures, movements and fascination for the new, the unknown.’

• Prof. Melanie Liebheit | Film and Television Documentary

  

  Prof. Melanie Liebheit

  Foto: 2026 / HFF München, Robert Pupeter

   

  Professor Melanie Liebheit was born in Münster in 1973. She first studied ethnology in Munich and Manchester (Master of Arts with honors) and then documentary film and television journalism at the HFF Munich; at the same time, she worked for the European training initiative Documentary Campus e.V. Her feature-length documentary *REBORN IN WESTPHALIA* (2008), about Europe’s largest Tamil Hindu temple in the small Westphalian town of Hamm-Uentrop, premiered at the DOK Leipzig festival. While still a student, Liebheit was one of the founders of the Nonfiktionale documentary film festival in Bad Aibling in 2007, which she has co-directed with Tamara Danicic since 2016.
  Together with Gereon Wetzel, Liebheit produced the documentaries DIE KUNST DER WIDERREDE (2018) and *SHE CHEF* (2022), for which she received the FFF Support Award at the 2023 DOK.fest in Munich and which has enjoyed great success worldwide at festivals, in theaters, and on TV (most recently, for example, on Taiwanese television). With the support of a current script development grant, Melanie Liebheit and Gereon Wetzel are currently working on a sequel with the working title WE CHEF.
  In addition to her work as a filmmaker and festival director, Liebheit organized the operations of the HFF’s Visual Design/Cinematography program as a team assistant; she is now taking over as professor to lead an HFF program herself.
  Liebheit’s Filmography on IMDb

• Prof. Dr. Michaela Krützen | Media Science

  

  Curriculum vitae

  1964 born in Aachen
  1983 A-levels

  Academic career

  1983 - 1989 Studied Theatre, Film and Television Studies, German Studies and Library Science at the University of Cologne
  1985 - 1989 Scholarship from the German National Academic Foundation
  02/1989 Magister Artium at the University of Cologne: ‘Die schönste Frau auf der Leinwand: Der Fall Greta Garbo’ (published as ‘The Most Beautiful Woman on the Screen: The Fabrication of the Star Greta Garbo")
  1988 1st prize in the ZDF video competition ‘Fairy Tales’ with ‘A Spoon for Manfred’ (broadcast on ZDF in the programme ‘Manfreds Löffel und andere Märchen’); invitation from the Goethe Institute Osaka to Japan for a video project on the subject of ‘Dragons’
  1989 - 1994 Research assistant at the Institute for Theatre, Film and Television Studies at the University of Cologne
  Summer 1991 Guest lecturer at the University of Ibaraki, in Mito (Japan)
  02/1994 Doctorate at the University of Cologne
  1994 - 2000 Research assistant at the Institute for Theatre, Film and Television Studies at the University of Cologne
  2001 Habilitation at the University of Cologne: ‘Film narratives. Narrative structures in feature films of classical Hollywood cinema’ (published as: “Dramaturgie des Films”)
  Since 10/2001 Chair of ‘Communication and Media Studies’ at the University of Television and Film, Munich
  2002 - 2013 Vice President of the University of Television and Film, Munich

• Prof. Corinna Mehner | Production and Media Business

  

   

  Foto: HFF München / Robert Pupeter

   

  Corinna Mehner is the managing director of blue eyes Fiction, founded in 2003, and heads the development and production departments. She began working in the film industry in 1992 and gained valuable experience in the production and financing of film projects in various roles and while working with widely recognised creative and financial partners in Germany before founding her own company. With blue eyes Fiction, Corinna Mehner aims to realise high-quality projects for an international audience, focusing both on the development of high-budget mainstream films with potential for success in the German and global market, as well as the promotion and support of arthouse films. The company also develops high-quality television productions and series; since 2019, it has also focussed on the youth/young adult target group. With this vision, blue eyes fiction has become the market leader in the EU in the genre of CG/VFX-heavy family entertainment with high production value. Currently, the fantasy film WOODWALKERS, produced by Corinna Mehner and directed by HFF alumnus Damian John Harper, is about to be released in cinemas (24 October 2024).
  Corinna Mehner is a member of the board of the Producers‘ Association (cinema section), the general board of the Producers’ Alliance and the funding committee and administrative board of the German Federal Film Board (FFA).

• Prof. Henning Patzner | Advertising

  

   

  Henning Patzner is a freelance creative director and trainer for creativity and innovation. Previously, he worked as a hired copywriter and creative director for Germany's most creative advertising agencies. Including Jung von Matt, Saatchi & Saatchi, Grabarz & Partner and Scholz & Friends. Most recently, he worked as Creative Director for the largest owner-managed advertising agency in Europe (Serviceplan Group).
  He has worked in the creative and innovation industry for almost 20 years. He is co-developer of many commercials, digital concepts and well-known marketing campaigns. As a creative, Henning Patzner has already overseen more than 75 top brands and won over 150 national and international creative prizes and awards. Including Cannes lions and a golden Effie.
  He is a member of the Art Directors Club Germany and author of the book "Creative Explosion" published by Campus Verlag.

• Prof. Christian Rein | Cinematography

  

   

  Foto: HFF München / Robert Pupeter

   

  Christian Rein was born in 1970 and has been working as a cameraman since 2000. He and director Florian Gaag celebrated worldwide festival success with the sprayer drama WHOLETRAIN in 2009; Rein received the Adolf Grimme Award for his camera work. To date, Christian Rein has been the director of photography on numerous national and international and very diverse projects, including feature films and documentaries, commercials and music videos. He has repeatedly worked closely with HFF Munich alumni, including producers Max Wiedemann and Quirin Berg as well as directors Christian Ditter, Florian Gallenberger, Wim Wenders and Hans Steinbichler. Christian Rein was honoured with the German Camera Award in 2009 for Steinbichler's DIE ZWEITE FRAU. For over ten years, Christian Rein has also been giving lectures, web seminars and workshops at the HFBK Hamburg, the Film University Babelsberg Konrad Wolf, the ifs Cologne and for the Hamburg Film Fund, among others.

• Prof. Kathrin Richter | Screenplay

  

   

  Foto: HFF München / Robert Pupeter

   

  Kathrin Richter, born in Munich in 1961, studied documentary film directing at the HFF Munich. Her first feature film script, co-written with Ralf Hertwig, was made into a film by Rainer Kaufmann: EINER MEINER ÄLTESTEN FREUNDE (1994) received a Grimme Award nomination and the Max Ophüls Award. Richter and Kaufmann have also worked together successfully on other projects, including DIE APOTHEKERIN (1997), KALT IST DER ABENDHAUCH (2000) and DIE PUPPENSPIELER (2017). Kathrin Richter was nominated for the German Television Award for her screenplay HELEN, FRED UND TED, which she co-wrote with Gabriela Sperl. Her work, which ranges from cinema to television and across various genres, includes DAS BESTE KOMMT ERST, a series about a family of entrepreneurs, seven episodes of Donna Leon's Commissario Brunetti series, which she wrote for German television. Richter is a member of the German Film Academy.

  Translated with DeepL.com (free version)

• Prof. Tac Romey | Serial Storytelling

  

   

  Foto: HFF München / Robert Pupeter

   

  Author, Producer & Managing Director at Phantomfilm GmbH
  Romey was born on 23 September 1969 in West Virginia, USA, and has lived in Turkey, the USA, the Netherlands and Germany. He studied acting, directing and dramaturgy in the USA and graduated from the renowned Brown University in Rhode Island. He is a freelance author, producer and managing director of Phantomfilm GmbH. In the past, he has repeatedly been a guest lecturer for material development seminars or serial content at the HFF Munich. He also works regularly with students and alumni of HFF Munich in his Writer's Room for the web series DER LACK IST AB. DER LACK IST AB is Germany's most successful web series. The series is produced by the company Phantomfilm GmbH, which Tac Romey founded and manages together with Rob van Binsbergen.

• Prof. Marcus H. Rosenmüller | Feature Film and Television Feature

  

   

  Foto: HFF München / Robert Pupeter

   

  Born in Tegernsee in 1973, he studied at the Film and Television Department of the University of Television and Film Munich from 1995 to 2002.

  His cinema film WER FRÜHER STIRBT, IST LÄNGER TOT, for which he also wrote the screenplay together with Christian Lerch, gave him his big breakthrough. The film was not only a success at the German box office, but also won numerous prestigious awards, including the Förderpreis Deutscher Film, the Deutscher Filmpreis in the categories of directing and screenplay and the Bayerischer Filmpreis in the category of Best Newcomer Director.

  The successful Tandern trilogy began in 2006. After BESTE ZEIT and BESTE GEGEND, the final instalment BESTE CHANCE was shot in Upper Bavaria and India in 2013.

  In the last 12 years, Rosenmüller has made 14 feature films, each of which attracted between 4 and 5 million viewers to cinemas.

  In addition to his passion for film, Marcus H. Rosenmüller is always drawn to the stage. Since 2007, he has been touring Germany with his composer Gerd Baumann, performing poetry together.

  In 2014, he was awarded the Ernst Hoferichter Prize, the City of Munich's prize for writers who combine ‘originality with cosmopolitanism and humour’ in their works. He also received the Bavarian Constitutional Medal in Silver in 2014. In 2015, he was presented with the Poetentaler by the Münchner Turmschreibern. From 2013 to 2017, he staged the Singspiel at the Nockherberg and in 2016 he directed the Rossini opera ‘Le Comte Ory’ at the Bavarian State Opera in Munich.

  Since October 2018, Marcus H. Rosenmüller has held a professorship in cinema and television film at the HFF Munich.

  His film TRAUTMANN won the Bavarian Film Award.

  In 2022, his film WILLKOMMEN IN SIEGHEILKIRCHEN won the Austrian Film Award as the film with the largest audience.

• Prof. Dr. Sylvia Rothe | AI in Media Production

  

  Prof. Dr. Sylvia Rothe

  Foto: 2022 / Robert Pupeter 

  Sylvia Rothe has been Professor for AI in Media Production at HFF since 2022. Her aim is to teach AI in a very practical way and, among other things, to show possibilities for use in film production. She studied mathematics at the Humboldt University of Berlin, where she subsequently worked as a research assistant. She then worked for various IT companies and realized several film projects on a part-time basis. She also attended courses on film design and turned this passion into a career in 2011. In the same year, she took part in the European Social Documentary training initiative for documentary filmmakers, which focuses on the possibilities of innovative storytelling methods. While working for a Munich film production company, Sylvia Rothe increasingly dealt with the topic of inclusive media and thus also came into contact with virtual reality. She realized various VR film projects and began her dissertation on this topic in 2017. As a doctoral student, she also supervised numerous student theses on virtual and augmented reality and AI and led internships on them. Her scientific work has been presented at various conferences (Best Paper Award TVX 2019) and published in scientific journals.

  • Scientific work in the field of cinematic virtual reality (Best Paper Award TVX 2019)
  • Conducting internships on AR/VR and AI
  • Supervision of bachelor's and master's theses on AR/VR and AI
  • Graduate mathematician
  • 18 years of experience in software development
  • 6 years as a freelance filmmaker (documentaries and multimedia projects)
  website

• Prof. Lea Schmidbauer | Screenplay

  

  Lea Schmidbauer

  Foto: HFF München / Robert Pupeter

   

  Lea Schmidbauer was born in Starnberg in 1971. After dropping out of her studies in American Studies, she began her directing studies at the HFF Munich, which she completed in 2004 with the short film REALITY CHECK. This was followed by GROUPIES BLEIBEN NICHT ZUM FRÜHSTÜCK (2010) and, from 2012, work on the OSTWIND films and accompanying young adult novels, all of which were huge successes with audiences. Schmidbauer not only wrote the novel and screenplay for OSTWIND - DER GROSSE ORKAN, the last installment for the time being, but also directed it. In 2022, the comedy JAGDSAISON premiered at the Munich Film Festival based on a screenplay co-written by Lea Schmidbauer, Aron Lehmann and Rosalie Thomass. Schmidbauer lives and works as a screenwriter and director in Munich and in a small village in Middle Franconia.

• Prof. Jürgen Schopper | VFX

  

  Jürgen Schopper

  Foto: HFF München / Robert Pupeter

   

  Vita

  Prof. Jürgen Schopper (born 1968) studied painting, design and digital image design.
  He worked as a freelance computer animator and production designer for film and TV productions before joining 20th Century Fox in 1995 as a computer animation artist for “Independence Day”. The film won the Oscar® for Best Visual Effects in 1996.
  Back in Germany, Jürgen Schopper was contracted by ARRI Film & TV as Visual Effects Supervisor. He was subsequently given the newly created position of Creative Director for VFX. In this role, he primarily supervises feature film productions, but also TV movies, series and major events. He has received many other prizes and awards for his work.
  He is active as a speaker at universities, trade fairs and specialist congresses and writes articles for magazines and trade journals.
  In 2001, Jürgen Schopper was appointed professor at the Georg Simon Ohm Technical University in Nuremberg. He is head of the “FILM & ANIMATION” course at the Faculty of Design and initiated the “ohmrolle” film festival in Nuremberg's largest cinema, which has become a career stage for many students.

  A large number of his graduates are now working successfully in the field of visual effects worldwide.
  Since October 2019, Jürgen Schopper has been involved in the development of the new VFX specialization as part of a partial secondment from the TH Nuremberg to the HFF Munich.
  In May 2020, the State Ministry of Science and the Arts granted its approval for the establishment of the “Image Design with a Focus on Cinematography or with a Focus on Visual Effects” major based on the concept submitted by the university. The first students will start there in October 2020.
  From April 2021, Jürgen Schopper will take over the professorship of the VFX major at the Munich University of Television and Film (HFF).

  Prof. Jürgen Schopper is a member of the German Film Academy, in the Visual Effects section.

• Prof. Dr. Heiko Sparenberg | Technology

  

  Prof. Dr. Heiko Sparenberg

  Foto: 2026 / HFF München, Robert Pupeter

   

  Prof. Heiko Sparenberg studied computer science in Osnabrück and earned his doctorate as an external candidate at the Technical University of Ilmenau. As a long-time researcher and developer at the Fraunhofer Institute for Integrated Circuits IIS and as a professor of “Moving Image Technologies” at RheinMain University of Applied Sciences, he combines research, technological development, and the training of future media professionals. Among his key achievements is his role in co-developing the easyDCP software family, which has established itself internationally as one of the standard solutions in digital cinema distribution. For its successful development and commercialization, Heiko Sparenberg was awarded the Joseph von Fraunhofer Prize. Key components of the technology have also been integrated into software solutions from leading manufacturers, including Blackmagic Design and Autodesk. 

  Heiko Sparenberg’s work is also reflected in several patents in the field of audiovisual media technologies. He is also actively involved in the standardization of media technologies, including through CEN and DIN in the area of film archiving. Heiko Sparenberg has also contributed to international technology developments, including JPEG XS and the Interoperable Master Format (IMF). Technology & Engineering Emmy Awards were presented in 2025 for both the development of JPEG XS and the standardization of IMF. He regularly presents his research findings at international trade shows and industry events, thereby actively contributing to the integration of new technologies into media practice.

• Prof. Nicolas Wackerbarth | Feature Film and Television Feature

  

  Nicolas Wackerbarth

  Foto: HFF München / Robert Pupeter

   

  ...born in 1973, works as a filmmaker, author and lecturer. After studying film directing at the DFFB (Deutsche Film- und Fernsehakademie Berlin), he made several feature films, most recently CASTING (2017, Berlinale Forum, Filmkunstpreis Ludwigshafen, 3 Lola nominations), which was highly praised by critics and audiences alike. Like his other films HALBSCHATTEN (2013, Berlinale Forum), UNTEN MITTE KINN (2011, Filmfest München) and HALBE STUNDEN (short film, 2007, Festival de Cannes), he has been shown at international festivals around the world. Nicolas Wackerbarth has taught for many years at leading art and film schools (HFF Munich, HFBK Hamburg, Filmakademie Bade-Württemberg in Ludwigsburg, New School of Cinema St. Petersburg, DFFB Berlin) and most recently was a guest professor in the Narrative Film class at the UdK (University of the Arts) in Berlin. He publishes texts on film (e.g. cargo, Revolver, Cinema Scope) and regularly organizes film talks (REVOLVER LIVE!) at the Volksbühne am Rosa-Luxemburg-Platz, as well as film series (e.g. Korean Film Archive, Gropius Bau). Before becoming a director, Nicolas Wackerbarth trained as an actor at the Bavarian Theater Academy August Everding in Munich. He then appeared on stage at the Schauspielhaus Frankfurt and the Städtische Bühnen Köln (1997-2000 ensemble member). Nicolas Wackerbarth has been co-editor of the film magazine REVOLVER since 2004 and a member of the European Film Academy since 2018.

• Prof. Marie Wilke | Film and Television Documentary

  

  Prof. Marie Wilke

  Foto: 2026 / HFF München, Robert Pupeter

   

  Professor Marie Wilke, born in Berlin in 1974, first studied directing, cinematography, and editing at the “Zelig” School for Documentary Film, Television, and New Media in Bolzano, Italy, followed by a degree in Experimental Media Design at the Berlin University of the Arts (UdK). Starting in 1999, she worked as an editor on documentary films, news segments, and feature stories in Italy and Germany.
  Beginning in 1999, she also produced her own documentary films and video installations and served as an instructor in directing and editing at international film schools and institutions. In 2004, she became an artistic staff member for documentary film directing at the “Konrad Wolf” University of Film and Television in Potsdam-Babelsberg. In 2015, her documentary film *STAATSDIENER* screened at the Munich Film Festival and in theaters. This was followed by the feature-length film *AGGREGAT*, which premiered in the Forum section of the 2018 Berlinale and won, among other awards, the German Film Critics’ Prize and the Saxony-Anhalt Film Art Prize. Shortly thereafter, filming began on the six-part documentary television series *HÖLLENTAL*, which explores a criminal case and aired in January 2021. From 2021 to 2022, she served as Artistic Director and Executive Director of the German Film and Television Academy Berlin (DFFB). In addition to several documentary podcasts and television series produced between 2021 and 2025, she most recently directed the feature-length documentary *SZENARIO*, which premiered in the Forum section of the Berlinale in 2026.
  Wilke's Filmography on IMDb

• Prof. Peter Zeitlinger | Cinematography

   

  

  Peter Zeitlinger / Foto: HFF München / Robert Pupeter

   

  Curriculum vitae

  Born in Prague in 1960. Studied Film & Television at the Academy of Fine Arts in Vienna and graduated in Cinematography and Editing. Screenplay workshops with Robert Mac Kee and Syd Field. Years of intensive collaboration with Werner Herzog. Numerous awards, including:

  2012 Romy for Best Cinematography in “Verfolgt - der kleine Zeuge”
  2011 German Camera Award for “Persecuted - The Little Witness”
  2011 Best Cinematography in “Hated” at the Williamsburg International Film Festival NY
  2010 Independent Spirit Award nomination for Best Cinematography in “Bad Lieutenant, Port of Call New Orleans”
  2009 Oscar nomination Best non fiction feature film for “Encounters at the End of the World”
  2009 Cinema Eye Award for Best Cinematography in “Encounters at the End of the World”
  2007 Romy for Best Cinematography in “Dream Hotel Africa”